Venus 8
I first stepped backstage at a Perth club in 2022, invited by Fei, a dancer I’d been friends with online for some time. That night was the start of Venus 8, a long-form project documenting the lives of dancers and workers’ across Western Australia. In this world, clubs are more than workplaces, they are places of ritual, identity, community, and resilience.
Over the years of documenting, I spent my evenings capturing the layered identities within these spaces: dancers, mothers, providers, artists, creatives — all navigating agency, performance, and self-expression.
At the peak of my own identity unravelling, from social worker to mother, to photographer, I was drawn to the duality and complexity of identity shifting. I was never chasing the show; I was listening to their stories, witnessing how they hold agency over their worlds, and how that agency is reclaimed.
The people I encountered were mothers, therapists, artists and activists. Sharing space with them has been nothing short of a blessing for me.
This scene is so often documented through the performance, and through the lens of spectacle. Venus 8 steps away from that gaze entirely, into the quieter spaces where the community works, rests, and reveals its many dimensions.
I was welcomed into this world with open arms. From the managers opening early so I could shoot, to the collaborators sharing their endless stories with me. I’m forever grateful for their candour, spirit, access and solidarity.